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  • Index of Female Contributors to The Canadian Poetry Magazine, 1936-1950
  • A series of lists
    • Canadian periodicals online at ECO
    • A complete list of Ryerson Poetry Chapbooks, 1925-1962
      • Ryerson Poetry Chapbook 4: The Captive Gypsy (1926), by Constance Davies-Woodrow
      • Ryerson Poetry Chapbook 5: The Ear Trumpet (1926), by Annie Charlotte Dalton
      • Ryerson Poetry Chapbook 77: Songs, Being a Selection of Earlier Sonnets and Lyrics (1937), by Helena Coleman
    • Pseudonyms: Known and unknown
    • Some anonymous texts online at ECO
    • Women of Canada (1930)
  • Resource websites

Canada's Early Women Writers: Authors lists

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Canada's Early Women Writers: Authors lists

Category Archives: Other arts

Pens and Pirates (1923), by William Arthur Deacon

05 Tuesday Feb 2019

Posted by Karyn Huenemann in Other arts

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A couple of weeks ago, I published an essay (“The Ladies! God Bless Them“) and a couple of book lists from William Arthur Deacon’s works that I had discovered in my travels through the SFU library in search of Anastatia Hogan. The last delight I have to share with you from that adventure is the SFU library copy of Deacon’s Pens and Pirates (Toronto: Ryerson, 1923).

The book itself is a work of art. Some publishing houses in the early days of Canadian literature—Graphic Press in Ottawa is a prime example—produced new, exciting literary works bound as beautiful artefacts. Great care was taken with the decoration of the text, the covers, even the pastedown. This little volume from Ryerson’s early days is a case in point.

What makes this particular copy special, though, is that it was a gift to the library from Annie Charlotte Dalton, to whom the book was gifted in 1925 by the author. “To Annie Charlotte Dalton,” Deacon signs his gift, “with gratitude for her friendship and profound respect for her craftsmanship in verse.  Toronto, 1925.”

It is awe-inspiring to hold a book that has passed from the hands of one notable author to those of another, to mine.

 

Some lists from Poteen: A Pot-pourri of Canadian Essays (1926), by William Arthur Deacon

23 Wednesday Jan 2019

Posted by Karyn Huenemann in Other arts

≈ 1 Comment

William Arthur Deacon, Poteen: A Pot-Pourri of Canadian Essays (Ottawa: Graphic, 1926)

In searching for information about one of our authors (Anastatia Hogan), I had occasion to go through a collection of texts by William Arthur Deacon, an eminent Canadian literary critic of the early twentieth century. I found reference to Anastatia in only one of his books (The Four Jameses), but did uncover a couple of other interesting tidbits. One is the appearance of two lists of titles at the end of Poteen: A Pot-Pourri of Canadian Essays (1926) (which, interestingly, was first copyrighted by the author in the USA in 1925, but copyrighted in Canada and published in Ottawa in 1926, but that is another story…). The first list in Poteen is “representative of Canadian literary achievement,” containing books by those authors W.A. Deacon considered important in 1926, but is “limited to books which are reasonably credible and still in print” (221). The second is a list of authors whose poems are included in a number of collections published at the time. (Perhaps this isn’t as interesting to others as it is to me, but let it be said that I have compiled an (incomplete) comparable list that I keep in an Excel spreadsheet.) In our entries for individual authors, we have included Deacon’s collection of collections, but Deacon has actually indexed all of the authors, male and female, in the following titles: (Note, though, that the editors’ names, editions, and publication dates don’t always correspond with the published texts I have held in my hands).

Broadus, E. K., and E. H. Broadus, eds. A Book of Canadian Prose and Verse (Toronto: Macmillan, 1923).

Campbell, Wilfred, ed. The Oxford Book of Canadian Verse (Toronto: Oxford UP, 1913). [Deacon has “Campbell, Logan, Oxford Book, 1913”; the 1913 edition was edited by William Wilfred Campbell alone, although John Edward Logan contributed to the collection significantly.]

Caswell, Edward S., ed. Canadian Singers and Their Songs: A Collection of Portraits, Autograph Poems and Brief Biographies. 3rd ed. (Toronto: McClelland & Stewart, 1925).

Garvin, John W., ed. Canadian Poets, 2nd ed. (Toronto: McClelland & Stewart, 1926).

Lighthall, William Douw, ed. Canadian Poems and Lays (London: Scott, [c1892]).

Rand, Theodore H., ed. A Treasury of Canadian Verse: With Brief Biographical Notes (New York: Dutton, 1900).

Watson, Albert Durrant, and Lorne Pierce, eds. Our Canadian Literature: Representative Verse, English and French (Toronto: Ryerson, 1922). [Deacon has “Watson-Pierce, Our Can Lit., 3rd ed., 1923”; the 3rd edition was actually edited by Bliss Carman and Lorne Pierce, and published in 1934.]

My list, compiled so I could determine which authors were out of copyright, and thereby know which titles I could share on our blog, includes (so far) the following titles:

Canadian Authors Association, Voices of Victory: Representative Poetry of Canada in War-time (Toronto: Macmillan, 1941).

Garvin, John W., ed. Canadian Poets, 1st ed.  (Toronto: McClelland & Stewart, 1916).

Garvin, John W., ed. Canadian Poems of the Great War (Toronto: McClelland & Stewart, 1918).

Maxwell, Lillian Mary Beckwith, ed. River St. John and Its Poets (Sackville, NB: O’Brien, 1947).

Roberts, Charles G.D., ed. Flying Colours (Toronto: Ryerson, 1942).

Stephen, A.M., ed. The Golden Treasury of Canadian Verse, illustrated by E. Wallcousins. 1928 (Toronto: Dent, 1931).

“Book-List” and “Where Canadian Poets May Be Found”

Here are the pages, and the searchable pdf, from Deacon’s pot-pourri.

 

 

 

 

 

An Index to The Paint Box (1926-1930)

10 Thursday Jan 2019

Posted by Karyn Huenemann in Biography, Other arts

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Val Lem at the Ryerson University Library, called to my attention an artist, Rowena Gross, who attended the Vancouver School of Decorative and Applied Art in 1927-28, and published in The Paint Box, a school publication intended to advance interest in the decorative arts, especially in BC.

What makes Rowena Gross particularly interesting to our project is that she also illustrated Lilies and Leopards (Ryerson, 1935) by Annie Charlotte Dalton, as well as designing the cover for Dalton’s The Call of the Carillon (posted earlier on our website).

Val sent me a link to the complete run of The Paint Box, which has been digitized by the Emily Carr University of Art + Design here in Vancouver, so I have diligently gleaned the names of all of the contributors so we could add the women authors to our Database of Canada’s Early Women Writers. The volumes may be useful for artists’ biographers, as they list the names and addresses of students; the 1930 volume also provides short biographies of some graduates. It appears, though, that our Rowena attended for only two years before branching out into her artistic career. I am only beginning to research the finer details of her life, which will be available in our project in a few weeks. The point of this posting is to share with you the comprehensive index of contributors to The Paint Box during its five-year run.

The index below lists all authors and artists identified by name. Dates in isolation indicate a written contribution; other contributions (art, executive committee rolls) are labelled on a separate line.

In addition to the index, I wanted to share this image with you. Each volume has two pages for autographs; in the Emily Carr collection, only in volume 2 (1927) have the autograph pages been used.

An Index to The Paint Box (1926-1930)

 

A Student Potter 1928
Amess, Fred 1928; 1929; 1930
cover design, 1928; woodcut, 1928; linoleum cut, 1929
Atkins, Violet; as Vi Atkins 1929
Bell-Irving, B. 1926
Binning, Bertram 1930
business manager, 1930
Brown, Louise 1930
Carter, Edith 1926
Carter, Margaret 1930
Cianci, Vito; also as V.S. Cianci 1926; 1927; 1928; 1930
editor, 1927; woodcut, 1928
Corry, Margaret 1926; 1927
Cummings, Parke poem from Saturday Evening Post, 1927
Cuppage, E.M.; also as Mrs. Cuppage 1929
Currie, Ada F. 1928; 1929
woodcut, 1928; linoleum cut, 1929
Davey, Brenda 1926
De Pencier, Betty 1927
Erb, Marion linoleum cut, 1930
Farley, Lillias woodcut, 1928
Farmer, Madge 1927; 1928; 1929
editor, 1929; woodcut, 1928; linoleum cut, 1929
Findlater, Betty 1929
Fisher, Orville linoleum cut, 1930
Fowler, P.M. 1926
Fuller, Phoebe linoleum cut, 1929
Gatewood, Frances V. 1926; 1927; 1928
Gordon, Mary linoleum cut, 1930
Gostick, Marg linoleum cut, 1929
Gross, Rowena 1927; 1928
editorial staff, 1928
Harris, Irene E. 1929
editorial staff, 1929, 1930; linoleum cut, 1929, 1930
Harrison, Katherine 1927; 1928
cover designer, 1927; business manager 1928; woodcut, 1928
Hensman, Dorothy 1926; 1927; 1928
Herchmer, Laurencia A. 1927
Hill, Sybil 1927; 1928
editor, 1928; woodcut, 1928
(often about First Nations: those Hills?)
Hoffar, Irene 1930
woodblock design, 1928; linoleum cut design, 1929; linoleum cut 1930
I.E.H.; likely Irene Harris 1930
I.W. 1930
Jensen, Maude 1926
woodblock design, 1928
Johnson, Ruby; also as R.J., R. Johnson, and Ruby Johnston 1927; 1929
King, Hermione 1926
business manager, 1926
Kirkpatrick, Phillis M.; also as Phyllis 1926; 1927; 1929
woodblock design, 1928; linoleum cut, 1929
Lennie, Beatrice; also B. Lennie and Bee Lennie 1927; 1928; 1930
Lewis, Margaret 1928
woodcut, 1928
Lyne, Marjorie 1929
cover design, 1929
M.A.L. 1927
M.C. 1930
MacDonald, Ione; linoleum cut, 1930
MacDonald, J.W.G. 1927; 1928
MacIntosh, H. 1927
MacPherson, Alice M.; also as Grease-Monkey Al Mac in 1930 1929; 1930
linoleum cut, 1929
Marega, Charles 1926
Mason, Dorothy linoleum cut, 1929
McGregor, E. 1927
McKechnie, Eleanor 1929
Meilleur, Peter business manager, 1927; editorial staff, 1928; woodcut, 1928
Melvin, Grace W. 1928. 1929; 1930
Moore, Ellen M. 1926; cover design, 1926; cartoon sketches
Moore, Rosalie linoleum cut, 1930
One Who Knows 1930
Park, Marjorie K. 1928; 1929
Park, Norma linoleum cut, 1930
Patterson, Monica 1930
Pluto 1927
Priestman, Roger B. 1927
Quinn, Bert 1927
assistant business manager, 1927
Robertson, Masie linoleum cut, 1929; woodcut, 1930; cover design, 1930
Scott, Charles H. 1927; 1928
Sharland, Mrs. T.J. 1927
Sharpe, Alice editorial staff, 1929; woodblock design, 1928; linoleum cut, 1929
Sherman, Maud 1926; 1927
woodcut, 1928
Smith, Kate A.; Mrs. Frank Hoole 1928; 1929
linoleum cut, 1929; linoleum cut, 1930
Sutherland, Mary B. 1926; 1927; 1928
The Potter 1928
Tisdall, Dorothy A.; also as D.A.T. and Pindy Tisdall 1929; 1930
business manager, 1929 (Pindy Tisdall)
moved to Kamloops after graduation
Turpin, Dorothy editorial staff, 1928, 1930
Tweedie, Edith 1929; 1930
editorial staff, 1930
Underwood, Evelyn linoleum cut, 1929
Vanderpant, J. 1928
Varley, F.H[orsman] 1927; 1928
Vera, Ada and Theodore 1928
Walker, Eula B.; “alias ‘Peter at the Dam’” 1928; 1929; 1930
Ware, Ruth; also Ruth Ware Notzle, and R.W.N.
1927; 1929; 1930
editorial staff, 1929
married Clifford Arthur Notzle, 27 Sept 1930
Weatherbee, Vera woodcut, 1928; linoleum cut, 1929
Weston, Betty woodcut, 1928
Wilcox, Laura linoleum cut, 1930
Williams, Margaret; also M.A.W., Margaret A. Williams, and M.A. Williams 1926; 1927; 1928; 1929
editor, 1926; woodcut, 1928
moved to Los Angeles, CA, after graduation

 

The Toronto Art Students’ League calendars, 1893-1897

30 Thursday Aug 2018

Posted by Karyn Huenemann in Other arts, Poetry

≈ 6 Comments

For a number of years, the Toronto Arts Students’ League published a calendar of their members’ art. Archive.org has these calendars for the years 1893-1904, but I am not sure of the history of the endeavour: when did they begin? when did they cease? I surmise that they did not continue long after 1900, as the quality of production and content deceased significantly in the first couple of years of the twentieth century. Significant, too, is that the years 1893-1897 contain both artwork (sometimes fabulous) by the students and poetry by influential and popular Canadian poets of the day.

Art Nouveau decorations

The decoration in some of the early volumes is beautiful. I might be biased, in that I am particularly fond of Art Nouveau, but even so… While some of the other volumes are more elaborate and glorious, the title page from 1899 is perhaps my favourite.

Some poems

1894 was a particularly good year for illustration, too: the decoration surrounds the poems, rather than pictures sitting on the opposite pages. I have included here the 1894 poems by Eleanor Corkhill Addison (using her maiden name, Eleanor Corquille Adams, with a twist on the spelling), Alice Maud Ardagh (Esperance), E. Pauline Johnson,  Agnes Maule Machar (Fidelis), and Nellie Spence. The second image is the full-page illustration accompanying Eleanor Corquille Adam’s poem.






 

The contents

Here is a list of the calendars that contain poetry, and the poets included therein. I have written down the names as recorded, with a gloss in brackets, as I find it interesting that some of the male authors are only mentioned by last name. It is also interesting that in the 1893 volume, Esperance  (Alice Maud Ardagh) is included as L’Esperance.

1893: Ninety-Three: A Calendar for the Year of Our Lord MDCCCXCIII (Toronto: Toronto Art Students’ League, [1892]).

Campbell, W.W. [William Wilfred]
Carman, Bliss
Crawford, Isabella Valancy
Fidelis [Agnes Maule Machar]
L’Esperance [Alice Maud Ardagh]
Lampman [Archibald]
Mair, Charles
McCarroll, James
Roberts, Charles G.D.
Seranus [Susan Frances Harrison]
Wilson, Daniel

1894: Ninety-Four: A Calendar for the Year of Our Lord MDCCCXCIV with Verses by Some of the Canadian Writers of Verse and Drawings by Members of the Toronto Art Students’ League (Toronto: Toronto Art Students’ League, [1893]).

1894, for all that it has lovely illustrations also introduces some problems. One poem is anonymous, and one author’s name cannot be deciphered. Can anyone help with these?

Adams, Eleanor Corquelle [Eleanor Corkhill Addison, née Adams]
Anonymous (“Reflections”)
Charlesworth, H.W. [Hector Willoughby]
Edgar, Pelham
Esperance [Alice Maud Ardagh]
Johnson, E. Pauline
Jykes, (Tykes?) W. Henry (?)
Machar, Agnes M.
McArthur, P. [Peter Gilchrist]
McKellar, D.A.
Spence, Nellie

1895: Ninety-Five: A Calendar for the Year MDCCCXCV with Some Selections from Canadian Writers and Drawings by Members of the Toronto Art Students’ League (Toronto: Toronto Art Students’ League, [1894]).

Campbell, W.W. [William Wilfred]
Carman, Bliss
Heavysege, Charles
Johnson, E. Pauline
Lampman, A. [Archibald]
Roberts, Chas. G.D. [Charles]
Sangster, Charles
Scott, Duncan Campbell

1896: Ninety-Six: A Calendar for the Year MDCCCXCVI with Verses by Charles G.D. Roberts and Bliss Carman, and Wayside Notes of Wandering over Canadian Roads (Toronto: Toronto Art Students’ League, [1895]).

Carman, Bliss
Roberts, Charles G.D.

1897: Ninety-Seven: A Calendar for the Year of 1897 with Sketches of Canadian Water-Ways and Appropriate Selections from Canadian Writers (Toronto: Toronto Art Students’ League, [1896]).

Campbell, W.W. [William Wilfred]
Lampman, Archibald
Roberts [Charles G.D.]
Sangster [Charles]
Carman, Bliss
Stewart, J.L. [James Livingstone]

“When the Leaves Come Down,” a sketch by Melisse

24 Saturday Sep 2016

Posted by Karyn Huenemann in Other arts

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Here is a lovely whimsical sketch to celebrate the first day of autumn…

Mélisse. “When the Leaves Come Down.” Creative Young Canada: Collection of Verse, Drawings and Musical Compositions by Young Canadians from Seven to Twenty Years of Age. Ed. Aletta E. Marty. Foreward “Agnes Delamoure” [Nancy Durham] (Toronto: Dent, 1928) 118.

Creative Young Canada: Collection of Verse, Drawings and Musical Compositions by Young Canadians from Seven to Twenty Years of Age. Ed. Aletta E. Marty. Foreward “Agnes Delamoure” (Nancy Durham). Toronto: Dent, 1928. 118

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